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24

May

Fuse

I never liked the word “adult” because I felt it was a contrivance that simply indicated that a person had reached an age where their actions would be inexcusable. I never liked it because I always wanted excusable actions - I wanted the cushioning to fuck up gloriously - to make giant mistakes, to leave dumb, muddied footprints on the floor of every home I entered. There were hierarchies - there was teenager, and college student, and graduate student, and then I ran out, and I was called an adult but what I was called was wrong - I was not an adult - I was wrong - I was the wrong thing - I was the wrong thing doing the wrong things - a bad thing doing bad things - i was the bad thing - the wrong thing - a dead thing - I was wrong - not an adult - the wrong thing - the wrong thing - on fire - like a cartoon dynamite stick - the wick - on fire - the wrong thing - the sizzle of rope burning - napalm - the wrong thing - the wreckage - a fuck up - a blown fuse, then the current - a dead thing - the rotting - and fire. I am an impostor. I can’t say I’m unraveling because I’ve never been together. 

Movement

I’ve never settled in anywhere I’ve lived because I’ve never expected to live there long. Every apartment and room I’ve occupied has always had a brown box in the closet, just in case. Escape plans are important.

This place is no different. 

23

May

My students drew this on my board as a token of appreciation(?). Many of them refer to me as Professor Valles and a few of them believe that I have the power to bring forth storms and take people’s souls. 
I am a high school teacher. 
I’m all about it. 

My students drew this on my board as a token of appreciation(?). Many of them refer to me as Professor Valles and a few of them believe that I have the power to bring forth storms and take people’s souls. 

I am a high school teacher. 

I’m all about it. 

22

May

Caution: Teaching With White Ladies

Me:
(opening the door to the white woman standing outside my classroom) Yeah, what's up?
WLT:
(white lady teacher) Do you have a Roy in your class?
Me:
Yeah, he's back there. (she goes to hand him a shirt. On her way back she looks at my class and says)
WLT:
Boy, you got a classroom full of trouble-makers.
Me:
(I don't think she can see what her attempts at a joke sound like to me. I don't think she gets how I am affected by the tableau of her hand pointing at my students and saying the word 'trouble-maker.' I don't think she gets it.) What?
WLT:
(then, points at CJ, a black male student in my class) Like this one over here. You shoulda seen him at prom. He took off his shirt and started waving it around. Just kidding. He didn't do that. (she waits for me or CJ to laugh, but I don't think she gets what she's saying or doing until-)
CJ:
Wait. What? Did you just call me a trouble-maker. So, now we're working in stereotypes?
WLT:
(wilts, heads out my door) Alright, thank you! I'll see you later!
Me:
Wait. Does she get what she just did?
CJ:
We do.
Wait

21

May

This is Us

This is you. 22 years old and a recent graduate of Arizona State. You love marching band and Dungeons and Dragons. You love your fraternity and drinking until 2 in the morning. You love Thai food and Dr. Who. You love me. 

This is me. 26 years old and a recent hire at a school in Texas. I love theatre and RuPaul’s Drag Race. I love my speech family and drinking until 2 in the morning. I love Thai food and watching Dr. Who in bed with you. I love you. 

This is you, sitting in your dark, sound-proof room. When all of the lights are off and your door is closed, constellations breathe down on you from your ceiling. Even at 22, the charm of glow-in-the-dark stars does not escape you. 

This is me, sitting in my small room. At night, when all the lights are off, slivers of silver and blue light cut slits on my wall. I am 26 and have no talent or interest in decorating a room in a place I don’t feel is home. This is me missing the stars in your room. 

This is us deciding to open the relationship.

This is you sleeping with one of your exes.

This is me sleeping with one of my exes.

This is us pretending it isn’t awkward. This is is also us being turned on by it. This is also us pretending it isn’t awkward that we’re turned on by it.  

This is me, kissing nameless men at a bar, then sending you text messages to tell you I miss you. 

This is you, leaving a stranger’s home, sending me a text message to tell me you love me. 

This is me laughing at your usual usual reviews of hook-ups. “It was okay,” you’ll say. “It was great,” you’ll say. “It lasted 1 minute, then I stopped and left. Sometimes white guys taste weird to me,” you’ll say. 

This is you laughing at my usual reviews of hook-ups. “No, It was weird,” I’ll say. “It was great,” I’ll say. “I freaked out because he had all these syringes and I was like ‘Are you a heroin addict?’ because I’m dumb and rude and he was like ‘I’m diabetic,’ and I felt like an idiot,” I’ll say. 

This is me frustrated by the fact that I hear your voice every two weeks, if I’m lucky. In the months we’ve been together, I wish you’d saved, even just a little bit, a few dollars each week, because maybe you’d have visited by now. 

This is you frustrated by the fact that I don’t have to money to travel to see you right now. In the months we’ve been together, I’ve only been able to see you once a month, if we’re lucky. The end of the school year is tough for both of us.

According to Google maps, there are 996 miles between your front door and mine. If you were to drive in current traffic from your doorstep to mine, it would take approximately 14 hours and 36 minutes. Most flights usually get me there in roughly 2 hours and 30 minutes. I have spent a significant amount of our relationship on buses, airplanes, and cabs trying to get to you. 

This is you, missing me.

This is me, missing you. 

Then Stay

“The ‘handling’ of my move happened in a haze of emotion and dust, in rooms filled with boxes and garbage bags. Such is the physical and emotional labour of putting oneself and one’s things into motion.” - Jane M. Jacobs, “Editiorial: Home rules” in Transactions of the Institute of British Geographers

“I think I’m staying here,”

in Phoenix. 

You’re staying there, 

in Phoenix.

And because I am me,

my migrant body, 

with its repertoire

of constant movements, 

cannot help its hurt. 

I have ripped my roots 

for more than convenience or fear. 

I’ve spun myself off axis 

for boys with kerosene kisses 

and matchstick fingers. 

So I wonder if I’ll ever whisper the word

“Coward”

in your ear 

the next time we are inside each other

If “boyfriend” is a different way

for you to say

“out-of-state fuck”

You’ve never seen my bedroom. 

Do you know how many siblings I have?

Their names?

Have you ever counted the miles between us?

Baby, 

I grow tired of charting my relationships 

on frequent flyer maps

embossed onto in-flight cocktail napkins

and I don’t know that I have it in me 

to write a poem about another boy like you

on the back of a bus ticket. 

- J.I. Valles-Morales, 5/21/2013

15

May

The Bad Immigrant: Merit-Based Citizenship and Moral Compulsion

“If we are serious about migration reform in this country, and we fully recognize the broken system we have cultivated, then we cannot pick and choose which undocumented migrants will be granted a stay and which are subject to deportation. If we are serious in our contention that the system is broken, that our laws are unjust, then we cannot let fantasies of good and bad migrants run rampant while we develop a course of action to change. The Obama administration is responsible for the highest number of deportations in recent memory, using the bodies of undocumented migrants as bargaining chips in the name of bipartisanship. It is not only ethical, but just to put a moratorium on all deportations until we are able to fix the immigration system. Do not split families, destroy lives, uproot individuals just because you are dragging your feet.” - Eddie Gamboa, 2013

Between 2008 and 2009, two of my brothers were deported. My brother Ernesto mostly worked kitchen jobs in chain restaurants in the Dallas-Fort Worth area. My brother Govelin was a day-laborer in El Paso. Neither of these men sought anything extravagant or noble - food on the table, soccer games on the weekend, beer money. Neither of them received an education past middle or high school in Mexico and neither had any desire to return to school. Were they hard-workers? Absolutely. Is there any kind of “American Dream” narrative behind their stories. Not really, no. Not if you were to ask them (I have). Staying alive, well-fed, clothed, and minimally comfortable was enough. I write this because I grow weary and suspicious of the way that narratives of “hard-working” immigrants are used in national and local conversations about immigration reform. Some of us are not extraordinary and our struggle is not about building a business from the ground up, or pursuing a doctoral degree, or becoming an important member of American society. In creating an exceptional immigrant in the cultural imaginary we are also creating a “bad” immigrant - we are all either hard-working, struggling martyrs with grand dreams that are impossible, criminal deviants infecting the American body, or we are not mentioned at all. 

My concern here is not that we should stop lauding and sharing stories about DREAMers or those immigrants who have had the wherewithal to cobble a path towards a “success story.” My concern is that our conversations about citizenship will continue to evaluate citizenship on a kind of merit system. Why should citizenship be a moral compulsion? Why can’t my brother, who likes to get shit-faced drunk on Saturday nights and sometimes says really homophobic garbage, be a citizen? 

I came to the United States hidden in the back of a truck. The U.S. has no record of me prior to 1996. Despite this fact, a series of legislative acts in the 1980s and several happy accidents in my life led to my becoming a U.S. citizen in 2005. My citizenship status is built on circumstances largely out of my control. My brothers were deported due to circumstances largely out of their control. 

National ideals about who is a good, contributing, productive immigrant leave my brothers out of the picture. You are reducing our struggle to labor and production when all we are asking for is recognition that we have a human right to food, and breathing, and to hugging our mothers on Christmas because we can cross a bridge freely. Our bodies have the right to move in ways that don’t result in a product you paid for. Merit-based citizenship will continue to confine our bodies as only useful when they are in the act of performing labor for the benefit of a nation that has spit us out time and again.

J.I. Valles-Morales, 5/15/2013

14

May

I was researching Luis Alfaro’s play Bruja and I found this trailer. There is something about the music and the images that makes me miss my grandmother and my mother terribly. I am proud to come from a line of curanderas, brujas, y santeras. Today, I will remember the dark parts of my spirit, the unknown parts. 

Today, I remember that my spirit is older than my body. I am a thread in a tapestry thousands of years old. 

13

May

You Go When You Can No Longer Stay

04

May

That one time I was in the top two on America’s Next Top Model: Cycle 45
“Two beautiful gurls stand before me, One gurl wants this so bad, and she has everything going for her, the angles in her face are in cred ible. But week after week, she has the same pose, and the judges have begun to wonder, is she a statue? The other gurl, takes nice photos, she has a nice face, she has a nice walk, but the judges question whether or not she really wants this. There’s no passion behind her eyes. And the photo this week really missed the mark. Kelly Cutrone said your hand looks like a slab of pork, and that your face looks like Shrek and a chupacabra had a deformed baby, and Nigel said that you’re absolutely dreadful to photograph, that you called him a racist and then offered to suck his dick for an extra five frames. That kind of unprofessionalism will not be tolerated in this competition. So who stays? The girl who seems like a statue? Or the farty mexican with pork hands and no respect for the art of modeling? I only have one picture in my hand. The girl who stays will still be in the running for the 100,000 dollar contract with, cover girl cosmetics, a one year contract with Elite model management, a photo shoot for Vogue Italia, and a cover of Beauty in Vogue and be the spokes model for our America’s next top model Fragrance, Dream Come True. The girl who is eliminated must immediately go back to the house, pack her bags and go back to the Juarez city dump from whence she came.. I only have one picture in my hands…”

That one time I was in the top two on America’s Next Top Model: Cycle 45

“Two beautiful gurls stand before me, One gurl wants this so bad, and she has everything going for her, the angles in her face are in cred ible. But week after week, she has the same pose, and the judges have begun to wonder, is she a statue? The other gurl, takes nice photos, she has a nice face, she has a nice walk, but the judges question whether or not she really wants this. There’s no passion behind her eyes. And the photo this week really missed the mark. Kelly Cutrone said your hand looks like a slab of pork, and that your face looks like Shrek and a chupacabra had a deformed baby, and Nigel said that you’re absolutely dreadful to photograph, that you called him a racist and then offered to suck his dick for an extra five frames. That kind of unprofessionalism will not be tolerated in this competition. So who stays? The girl who seems like a statue? Or the farty mexican with pork hands and no respect for the art of modeling? I only have one picture in my hand. The girl who stays will still be in the running for the 100,000 dollar contract with, cover girl cosmetics, a one year contract with Elite model management, a photo shoot for Vogue Italia, and a cover of Beauty in Vogue and be the spokes model for our America’s next top model Fragrance, Dream Come True. The girl who is eliminated must immediately go back to the house, pack her bags and go back to the Juarez city dump from whence she came.. I only have one picture in my hands…”